This year has been marked by exhibitions, talks, and mentorship, as I continue to share my photographic projects and engage with the artistic community.

Participated as one of the featured artists representing Baguio in the touring exhibition.

Contributed the cover image of the zine, guest curated by Jessica Lim.

Acted as a critic for student presentations at the Fine Arts Gallery (Parola), University of the Philippines, Diliman.

Presented a slideshow, Suddenly the colors dance,  in response to Angela Panlilio’s exhibition Of Bypaths and Wonder, followed by a panel discussion with Flint members and Panlilio.

Featured in a special exhibition alongside the Fotomoto I/LAND Open Call, presenting a slideshow version of Sack Tap: The Rupture.

Presented a slideshow, Taipei Trees in a slideshow event followed by a discussion about artistic practice and process with Gab Mejia and other member of Flint.

This year marked a shift toward mentorship and collaboration, as I took on more roles guiding others in photo editing and project development while continuing to refine my own creative practice.

Recognized for my artistic practice in a highly competitive open call for artists based in the Philippines.

Flint Photo Collective held its first slideshow event, showcasing works by the four founding members. I presented Ichigo-ya (Strawberry Shop) as part of the program. The event concluded with a process-focused discussion moderated by Eric Bico, exploring the creation and significance of the featured works.

Flint Photo Collective organized a slideshow event showcasing the works of 32 Filipino alumni from the Angkor Photo Workshop. I presented Sack Tap alongside other featured projects in partnership with Angkor Photo and Foto Baryo.

I deepened my connection to the photographic community while growing Flint Photo Collective and refining my personal projects.

Participated in the Bangkok Artbook Fair with Bad Eyes Collective, sharing independent works with an international audience.

Co-led a series of workshops with Flint Photo Collective, focusing on editing, writing, and sequencing participants’ photographic projects. Concluded with a public slideshow night showcasing completed works.

Collaborated with Alternative Apartment to present independent zine and book projects.

Released a personal zine exploring love, heartbreak, and resilience in modern relationships. Asked, “What does it mean to not lose heart despite heartbreak?”

Co-founded Flint with AG De Mesa, Christine Chung, and JL Javier to foster accountability, produce meaningful projects, and support the photographic community.

Tarzeer Pictures, a Manila-based gallery, showcased the slideshow output I created during the Angkor Photo Workshop. The event included a panel discussion where I shared insights about the work and my experiences during the workshop, alongside other participating photographers.

Participated and developed a performative extension of Sack Tap under mentorship at the prestigious Angkor Photo Workshop. The project gained coverage in Cartellino (PH) and Common Affairs (MY).

This year provided opportunity to explore and exhibit my work, which later gained recognition for its explorations of masculinity and intimacy.

Presented Blood and Balot, a project exploring intimacy within the context of brotherhood and male expression. The work was nominated for the 2018 Ateneo Art Awards, gaining recognition for its nuanced approach to masculinity and relationships.

I expanded my skills and collaborated with like-minded creatives, shaping my approach to storytelling and zine-making.

Participated in a travel photography workshop and won Best Single Image.

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These early years laid the groundwork for my creative journey, starting with analog photography and collaborative learning.

Attended a workshop led by Anne Murayama, marking my early steps into analog photography.